Luminous interiors · by lumentics

Light that lingers after dark.

Phosphorescent pigments, paints and granules for exclusive interiors and outdoor spaces. They charge with daylight or lamplight and return it as a soft afterglow – without power, wiring or fixtures.

Charges with any light

Sunlight, lamps or UV light – UV charges fastest.

Glows for hours

Blue-green and blue: more than 10 hours, brightest at first, then a gentle glimmer.

No power, no wiring

Recharges again and again, as often as you like.

Innovated in Germany

By lumentics – glow materials since 2015.

The concept

Discreet by day. Remarkable at night.

In daylight the pigments appear as a pale, almost neutral tone. Blue is the most neutral of all, nearly white. Once the lights go out, the motif emerges as a calm glow – a detail that reveals itself only to those who are there after dark.

Glow is not lighting. It marks, accentuates and guides, and it works best where it is genuinely dark.

Drag the slider to compare.

Visualisation: plaster wall in daylight with an almost invisible pale line pattern
Visualisation: the same wall at night, the line pattern glowing blue-green
By dayAfter dark
Applications

Where glow becomes architecture

From the garden path to the dining table: the same material principle, adapted to surface, carrier and light situation. We advise on pigment, colour and dosage for each project.

Visualisation: penthouse living room at night with a glowing botanical wall motif
01

Feature walls & murals

Glow pigments in a transparent or white base, or applied with a spray system in several thin coats. Patterns and accents work better than evenly glowing full surfaces.

Visualisation: natural stone path at night with glowing chips inlaid in the slabs
02

Pathways & stone slabs

Glow chips inlaid into the stone surface and ground flush, or embedded in a walk-resistant transparent top layer of epoxy or outdoor varnish – the slabs themselves begin to sparkle.

Visualisation: infinity pool terrace at night with glowing edges and steps
03

Pools & terraces

The pigments carry a silicon-dioxide coating that keeps them stable even in permanent contact with water. Sealed in weatherproof clear coat or epoxy, edges and steps stay visible in genuine darkness.

Visualisation: walnut river table with a glowing resin river
04

Resin furniture

Pigment stirred into thickened epoxy, or only into a top layer, so it cannot settle. For river tables there is also a blue glitter powder with a metallic effect.

Visualisation: terrazzo floor with glowing embedded chips
05

Terrazzo & floors

Glow chips in the floor or in a transparent epoxy coating – a field of stars underfoot, invisible as such by day.

Visualisation: floating staircase with glowing step edges
06

Stairs & orientation

Fine glowing lines on step edges and handrails offer orientation at night. A marker that needs no switch and no power.

07

Glowing stone beds

Angular glow stones and coarse granules, laid as a bed between grasses and boulders, turn a garden into a luminous carpet after dark. Charged by daylight, they glow without a single cable.

All interior scenes on this page are AI-generated visualisations of possible applications.

Visualisation: glow pigment powder, angular glow granules and a jar of glow paint on a black slate slab
Materials

One principle, three forms

Pigments

Europium- and dysprosium-doped strontium aluminate – inorganic and stable up to 1,100–1,200 °C. For clear carriers we recommend 15–20 % pigment, for opaque bases 30–50 %.

Ready-to-use paints

Applied with brush or soft roller in two to three coats. Outdoors, finished surfaces are sealed with a waterproof clear coat.

Granules & stones

Glowing chips and stones for floors, paths, resin works and decorative surfaces – embedded, pressed in or cast.

Always test on a small scale first – carrier, substrate and light situation decide the result.

Colour of light

Choosing the glow

Every glow pigment is based on the green afterglow. All other tones are tinted and therefore glow more softly. We advise honestly on what is possible – a true red, for instance, is not.

Green

The natural glow tone – brightest and longest-lasting.

Blue-green

More harmonious and less “technical” – a favourite for interiors.

Blue

The most neutral tone by day, almost white; glows slightly softer.

Visualisation: abstract artwork painted with glow-in-the-dark paints
Built to last

Quietly enduring

>10 h

Afterglow

for blue-green and blue after full charging

≈ 5 %

Over ten years

loss of light output – a long-term experience value

1,100 °C

Thermal stability

of the inorganic glow pigment

∞

Charge cycles

continuous UV does not harm the pigments

Non-radioactive, inorganic pigments. Safety data sheets are available on request.

Process

From idea to afterglow

Step 1

Conversation

Tell us about the space, the surface and the light situation – indoors or outdoors, new build or existing.

Step 2

Samples & tests

We recommend a small test on the original substrate before any larger application.

Step 3

Specification

Pigment, colour, carrier and dosage – matched to the effect you want to achieve.

Step 4

Supply & guidance

Materials from our own range, with processing guidance for your craftspeople and artists.

Questions

Good to know

Anything else? Write to us – we answer every enquiry personally.

Green, blue-green and blue glow for several hours – according to our shop specification more than 10 hours for blue-green and blue. The glow is brightest in the first one to two hours and then turns into a gentle glimmer, visible in genuine darkness.

No. The materials store light from the sun, lamps or UV sources and release it in the dark. UV light charges fastest; artificial light takes a little longer. They can be recharged as often as you like.

Yes, sealed in a weatherproof clear coat or epoxy. The effect is only visible in real darkness – a nearby street lamp considerably weakens it.

Large homogeneous surfaces are difficult to achieve. Patterns, lines and accents are more effective; for larger areas a spray system with pigment in transparent varnish, applied in several coats, works best.

The pigments are inorganic strontium aluminate and free of radioactive substances. Safety data sheets are available on request. When processing large quantities of powder, avoid creating dust.

Green glows brightest, blue-green is more harmonious in interiors, and blue looks almost white by day. Other tones such as violet, orange or red are tinted and glow noticeably weaker.

Enquiries

Let us plan your glow

Architects, interior designers, artists and private clients: tell us about your project. We reply with an honest assessment and a suggestion for materials and samples.

Monday to Friday, 10 am – 5 pm (CET)

lumenterieur is the interior and architecture line of lumentics – phosphorescent pigments, paints and glow materials, innovated in Germany since 2015.

Contact

Dr. Falko Böttger-Hiller & Lars Ehrhardt Leuchtstoffe GbR
Geschwister-Scholl-Str. 4 · 04600 Altenburg · Germany
+49 151 55687366
info@premium-leuchtstoffe.de

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